BUJINKANKYU

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SHURIKEN JUTSU

jueves, 1 de septiembre de 2011





TOGAKURE RYU


















SHURIKEN JUTSU















Togakure Ryu







TE NO UCHI (9 Shuriken are commonly used)

Wearing style:

· Index finger extended forward. · Flexed thumb and forefinger. • Among the knuckles index and middle. • Among the index and middle fingers extended. • Dual: to launch simultaneously with both hands. · Multiple: multiple shuriken in one hand . · full-hand grip: to hit / push.

(Exercising with previous releases with flat stones).

Shuriken Types:

1. SHURIKEN2 BO. HIRA SENBA SHURIKEN SHURIKEN = = SHAKEN (Tepper) Kamae:

(Basic positions to launch)

Shiz - HICHIMONJI - Doko - suwari GATA

Throwing techniques (SHURIKEN NAGE)

Bo Shuriken:

- Short distance (without rotation) from Doko .- Average distance (with a twist) from Doko-YOKO NAGE (as SHUTO URA) - SHUTO OMOTE.

Kihon Happo SENBA SHURIKEN:

1. NO KAMAE Doko - HON NAGE (Vertical).

2. Ichimonji

Nuki Uchi · NAGE (Horizontal) · Henk: Palma down (Horizontal)

3. METSUBISHI - Ichimonji (Horizontal) with parabolic trajectory (or several Shuriken)

4. NO KAMAE Doko - SOTO (Horizontal).

5. SOTO - Palma down (Horizontal).

6. NO KAMAE Doko - Urak NAGE (Vertical) Turning.

7. Jumonji - Sokkia NAGE (Hiza NAGE) (Vertical)

8. NAGE USHIRO - (Vertical)

9. Doko KAMAE NO - No Rotation / Front (Vertical).

NAGE Henk:

1. Launch of two or more simultáneamente.2 Shuriken. KAITEN and launch out of the caída.3. Idem: USHIRO KAITEN.4. YOKO ARUKI: Throw back and forth to desplazarse.5. Forward and back casting (distance) .6. Distancia.7 long shot. Instinctive back - turn - lanzar.8. Behind an obstacle, look - hidden - lanzar.9. Moving Target: precisión.10. Receive a distance Shuriken - pick - launch.

Tai Jutsu:

- Use to hit as SHIKANKEN.

- Pressure after blocking .- Pressure to help dislocated MUTO DORI .-: dodge - launch two or three at once - run .- Boost UKE: USHIRO KAITEN - throw - away .- Project pressing the Shuriken-GANSEKI - .- Against strangulation KUBI USHIRO NAGE: press the Shuriken - throwing seoi NAGE .- Use it to press on: lapel grip / wrist / etc SHURIKEN BO .- (Boshi Ken) on GERI ZENPO attack .- Idem: Techniques SHIN SHIN BO.

Togakure Ryu: SHINOBI GAESHI GATA (Answers once it has been discovered).

- SHIGA GAESHI - On a wall - throw Shuriken - jump across SHIGA .- DORI - On a wall - kick - throw Shuriken - jump across YOKO .- Nagar - (Two UKE) YOKO Nagar - launch - YOKO or USHIRO .- USHIRO Nagar (Three UKE) - METSUBISHI circle - USHIRO Nagar.

- SAYU Kumogakure NO KATA (Hiding in the Clouds) (A left and right) (Two JODAN UKE DAI) METSUBISHI - TOBI suwari - two FUDOKEN - Kosei Kirigakure ZENPO GATA KAITEN .- (Form offensive in the fog). (Circle UKE) METSUBISHI - Shuriken to find a weak spot - ZENPO KAITEN (flight).

SHURIKEN JUTSU (Henke WAZA)

- USHIRO KAITEN (NAGAR TACHI left) throw back.

- Launch TATE NAGE: Begin standing (tachi) and without interruption to keep pitching in and again suwari TACHI (Change in height).

- Working from different releases each Ichimonji SHURIKEN (Keeping Up).

Nuki Uchi - TATE - Sokkia - SOTO - Urak

- ZENPO KAITEN - A behind the exit, turn 360 degrees - throw Shuriken at OMOTE (SOTO) while moving forward.

- Jump: TENCHI TOBI and thrown down.

- Jump: Turn 360 degrees and throw SOTO falling.

- Shifts in launching TOBI SOKUHO NAGE Nuki Uchi.

NINJA WEAPONS



KUSARI


HIYA FLECHAS ARDIENTES































WEAPONS



Kyoketsu-SOGEI





A gun as versatile as any of the Kama Ninpoun arms with a rope at the end and adapted to finalde it an iron ring of large dimensiones.Su technique could be up or down from somewhere, asícomo immobilize the enemy with the rope and the ring, killing him with the edge or just hiriéndolo.Se says it was created by a samurai guarding a temploal unable to draw his sword, this weapon development.



The straight ninja-to



was used during the Nara period (710-760 AD.) was then used to ninja-curve, coinciding with the progressive implementation of katana.El ninja-to is mostly used with one hand, allowing a wider scope. The grip is also different. The blade measures 54 to 55 cm. The tsuba is slightly larger and thicker than conventional, but the same design to avoid attention. The Sage and Kojiri are different: the first is longer than usual and has its specific use (Sage Jutsu Nana) and the second steel is very strong echo.



Kusari-FUNDO





Chain of varying size with weight losextremos used to immobilize, estrangulardesarmar or simply to topple person or horse if headed for the legs / feet



MAKI-Bishi





Small iron spikes, arranged in one fell maneraQue always looking up. when a ninja want to hurt his pursuers threw them behind him and they crossed the sandaliasechas straw retained the prosecution, also launched in the face produced wounds.

KATANA







The detailed study of Japanese swords is a difficult process and tiempo.Hay consuming process to examine the blade of a Japanese sword and is used in the practice of Kantei NYUSATU. In Kantei sessions, is presented to a participant a sheet with any registration that may be on the Nakago cover and he must guess the name of smith. The procedure for Kantei is as follows:



Sugata first or shape of the blade must be examined. The form must appear strong, the natural curvature and KISSEKI must be in proportion to the length and width of the blade. The MUNE or back of the blade must also be reviewed in its shape and height. When examining the Sugata can provide much information about the age of the blade until the region was made. However, if the blade has a good shape and is comfortable in hand, there is a good chance to be of good quality. It is impossible for a good sword has a bad shape unless it has been altered, damaged or repaired in any way. This happens frequently and is very important then imagine UBU (unchanged) in the next area to be studied hoja.La is HAMON, often known as the next "warm". This is where the sword has been pressed to form an area of ​​high carbon content to maintain a sharp side. It should be noted in contrast with the body of the sword. The Hamon can have an infinite number of patterns, but it is a milky white in a polished sword properly. The top edge should be formed by HAMON small martensite crystals called NIE. Sometimes they are too small to see with the naked eye and are then called Nioi. The NIE and the surrounding Nioi and HAMON HAMON form the pattern should be examined closely, ideally holding the blade at eye level and backlit. The Nioi-guchi (HAMON line) should be a sustained and unbroken from the area of ​​MACHI (TSUBA leaf background) to the end of it. A break in the Hamon is a serious flaw and should be avoided; called Nioi-giri. It is also important that the Boshi (HAMON area within the KSSEKI) cntinúe over the edge. This is also a serious flaw and is only allowed swords historical and cultural importance. Exceptions are not accepted in this punto.Si the HAMON Sugata and pass the test, the sword should be good, however, we must ensure that the sword is handmade and not mass produced cleverly as a SHOWATO (mass produced during the Second World War). This ensures examining and Jihada JIGANE well. The JIGANE the steel with which the sword is and can show subtle changes in color and texture while Jihada is the pattern of JIGANE surface caused by the forging process, accentuated by polishing. The Jihada parking as wood grain and is described by its type and size (eg KO-Mokum, "little puff"). There are many criteria for judging the quality of Jihada. Sn explanatory but for the purpose of this essay, I think it suffices to say that if the present is Jihada a sword forged mano.Mientras do this thorough examination, faults or errors will become visible. Some of these are more acceptable than others, depending on the age of the leaf. In other words, a sheet of XII century may have some defects that would not be tolerated in a modern piece. However, all faults or weaknesses obviously reduce the beauty and value of a leaf. Look for holes or air bubbles that may indicate or impurities that were introduced during the forging process and may be under the surface of the leaf. Also check the HA-SAKI (edge) looking hairline cracks that will edge the Hamon called HA-GIRI. These are serious failures caused by misuse of the sword in the cut. At the height of HA-GIRI would double or break. The HA-giri is not acceptable under any circunstancia.Finalmente Nakago inspection begins. The Nakago a good sword should always be finely finished. Slippage should be of good color and rust should not be cleaned under any circumstances. If you have any inscription, this will be of great interest. A good MEI will be carefully and skillfully written confidential, not sloppy, shaky or dubious. Almost does not matter if someone can read it (most Japanese can not read kanji in the inscriptions of ancient swords) while etching seguro.Por look confident and I will refer to last a couple of points that can avoid committing error costs. Most of the swords found in the West are of above-TO SHOWA. These were made in the Showa period (1926-1989) and the vast majority were manufactured in mass by the imperial army and navy during the Pacific War. These swords are not considered real NIHON-TO and seen as a reflection of the recent past Japanese militarism, they are still illegal in Japan. The Showa-to reasonably easily recognized by their small labels on the Nakago (usualemte SEKI or show) and are often signed with sloppy and careless character. There is often an inch or more blunt (known as UBU-HA) is found just above the HABAKI. These heavy and clumsy swords are usually found in Gunter (army). Generally military appeal to collectors and not recommend for practicing Iai or the serious study of Japanese Art at the armas.Habiendo said, I must add that during the Showa period, there were several blacksmiths were very thin sheets. There are also a few questions that leaves leaves family were traditionally made.

YARI



kamayari





Introduction.





Historically, the spear was one of the weapons used by warriors of different cultures before the advent of firearms in Japan is known by the name of Yari (spear) and was, without doubt, one of most versatile and weapons used by ancient warriors in the battlefield. Although its origins date back to ancient times, its use became effective during the civil wars known as the Sengoku Jidai. In truth it was in this period that emerged most of the Ryu-Ha to be found in the Bugei Ryu-Ha Bujutsu (registration of martial arts schools in Japan) and where he developed strategies and all forms of combat.



Origins.





Formerly the mounted warrior (samurai) used the bow and arrow as a main weapon and had to have an important skill to take advantage of its effectiveness. This was gradually changing with the emergence, more numerous, the Ashigaru (infantry) and attacking the mounted warrior among several and this is making it impossible to maneuver the bow and arrow at a constant speed download, so most often ended up dead. One of the most innovative was the arming of the warrior with a spear (Yari) which was effective penetration of an arrow and the versatility of movement of a stick, so this decision tipped the balance toward the mounted warrior, the mims Ashigaru time also began training in the use of Yari and end up being the main weapon as it was one of the most effective ways to stop the horses and take away the enemy. Later came the great masters of schools and Sojutsu that were perfected in use until the late Tokugawa era.





Warriors and Yari's first warrior spears were used tea mochi-yari-yari and that ranged from three to four feet to the handle (shaft), while the size of the leaves varied between 10cm. medio.Una metro and evidence of this is the tremendous mochi-yari Hanzo Hattori, which is preserved in the Sain-Ji temple in Tokyo. The mochi-yari (spear leaf long) Hattori Hanzo (Yari no Hanzo), which was his main weapon on the battlefield, had a total length of 4.38 meters which corresponded to 3.1 meters and 1.28 meters pole corresponding to sheet (which was 5 inches wide) and the total weight of the weapon was about 12 kg. With these dimensions, the yari Hanzo was one of the largest that could be seen on the battlefield.





On the other hand, the spears with large antlers or mango leaves were generally small and many of these were designed with a cross as in the case of Kato Kiyomasa spear, which is preserved in the temple in Kumamoto Hommy-Ji . Ishino Jena was a master of the long sword, Lishin Wakasanokami was a master of Ryu Shin Bokuden Sojutsu and Tsukahara (1490-1571) founded the school Kashima Shinto Ryu and Kang Yuzaemon Honma taught art and espada.Kamizumi sojutsu Nobutsuna was recognized as the number one master of the spear in Ueno Kuni.Dos no expert warriors in the use of the spear during this period were Lishin Choisai (1387-1488) who founded in Tenshin Shoden Katori Shinto Ryu Matsumoto and his student Noakatsu Bizenno-Kami, general clan Kashima, who fought in 23 battles testing the art taught by his teacher and is reputed to have taken possession of more than 100 head.



Another soldier was important yari Yorinori Kensuke Yamamoto, who was one of the generals of the Takeda clan and said he trained in the art of cutting sojutsu water currents that arose, which gave name to his school Doki Ryu.



Yari types and their characteristics





The total size of yari clan depended exclusively on the needs of the general in charge, the average size of a yari was 3 ken (a ken equivalent to 1.6 meters, then changed to 1.8 meters), so the size of poles of these spears would be of 4.8 different types of yari metros.Los commonly used are:





Te-yari (between 90 cm and 1.2 m)

Nagae-yari, spear shaft long and short blade

Mochi-yari, spear and horn short longleaf

Tetsu-yari, spear of iron.

Kama-yari, spear with a crescent shaped blade on the side of the main sheet.

Jumonji yari-launches with three leaves and their different ways [fig. (B)].



-Kikuchi yari, spear in one hand edge of the blade (looks like it was somewhat embedded in the suit). This type of spear was used extensively by the Kikuchi clan (hence the name) of the region during the wars of Fig Nambokucho period (1336-1392)

Sambo-yari, spear three lengths.

Kuda-yari, spear shaft sheathed in a metal tube.

Kagi-yari, spear hook

-I Jiri yari, spear-shaped blade

Tsuki-yari, spear-shaped moon

Futamata-yari, spear with a kind of tsuka



The Bujinkan Dojo in Yari.





The yari, like many other weapons, was widely used by the ancient warrior shinobi. In many cases, the yari was improvised with a stick of bamboo with one end split and putting a sharp blade and even a bamboo leaf itself, in others it was transformed into a sanyakubo (Hanbo) when the yari was cut by a enemy weapon. Rarely yari spear was used as a ninja but did not rule out any possibility in its utilización.Se known of old chronicles and legends that Sarutobi Sasuke kamayari used to use his climbing and jumping from tree to tree. Another famous ninja Hattori Hanzo was promptly named, who had been recognized as Hanzo "the magnificent lancer" for his strength and courage in the field of batalla.Muchos of the great masters of the sword, yari recognized the effectiveness and not rule out its usefulness and became masters to-so justu (sword and spear).

Hatsumi Sensei explained in his book on jutsu so the following:

"... When the soldiers had to fight a warrior who had armor (Yoroi), helmet (kabuto), the use of yari give them an advantage over the use of the sword. It was relatively difficult to get through with a sword or the kabuto yoroi a warrior, but a yari could do this quite easily and at a considerable distance, besides having the ability to also cut. That's why the soldiers realized that the yari was 10 times more effective than a sword ... "

BO JUTSU

hanbo , tanbo, tan sai bo











ARTICULO OFRECIDO POR BUJINKAN FRANK DOJO











Jo JutsuEl Japanese art of stick



Throughout the history of ancient Japan have developed many weapons, always seeking supremacy in the battlefield as well as in life situations were cotidiana.Se have found a very remote iron rod known as Ishi Jo. Due to excessive weight can not be certain that they had been used as a weapon, the possibility exists that have been used as elements of a job training or farming.









As for the long cane, have not been found - according to records - articulated in the management styles of the same until the eighth century. We should also consider that fighting with a cane, stick or club has historically been one of the primary ways that humans used to resolve any dispute or defend agresiones.Los canes were a very common among Chinese Buddhist monks, they used them between support for things like long walks, pilgrimages and as weapons of defense. These monks were, in part, the introducers of this weapon on Japan. It was taken by the monks Sohei, implementing changes based on your knowledge and needs, was also transferred either to the common people of the society of those times.









As the story progressed through long wars and conflicts, the Samurai and the elite soldiers trained in the arts that they considered more noble and honorable as being a sword, bow, horse riding, spear, among others. Being low cost and be available to individuals of low rank or social status, the staff was not well seen by the high class Samurai. Usually low-income individuals, other warrior classes or occupation, agreed to everyday items to defend themselves and control their enemies, and this circumstance was the most ingenious in the matter of creating from nada.Por other hand, certain moments in history, any kind of weapon owned by the wrong person was a matter of serious crime that could lead to death of any individual.









Toyotomi Hideyoshi (1536-1598) strongly suppressed any insurrection. He revived the old difference between the Samurai warrior caste, and the rest of the population, introducing restrictions on the ability to bear arms. This was called "hunting swords Hideyoshi" and issued under the rules, only the Samurai were privileged to wear two swords: a short sword (which anyone could carry) and the long sword, only allowed the Samurai and distinguished them from the rest of the population.









Muso Gonnosuke (seventeenth century), renowned samurai of Katori Shinto Ryu school, was an expert in the bo jutsu and Kashima Ryu school study. As the story goes, he went to Edo to test their martial arts and was never defeated. One day, he met the legendary Kenshi (Swordsman) Miyamoto Musashi, a true master in the art of two swords and creator of the Niten Ryu school. Both men fought to measure their skills (common events at the time) was that their weapons clashed furiously in the air, but Miyamoto executing a cross and defeated Gonnosuke. Miyamoto, who was a gentleman and amazed at the courage of Gonnosuke spared his vida.Gonnosuke, frustrated by his defeat, he retired to Mount Honma of Kyushu in southern Japan. There on the mountain top with discipline devoted to meditation and ascetic life. According to tradition, Gonnosuke received a divine message saying: "Be cognizant of the vital points with a log." Through this message designed a handgun, the harder white oak and called her "Jo". Maybe, just might have cut his bo ... then trained hard until he perfected his school and named it "Shindo Muso Ryu." Again faced Musashi, which was defeated, and as this did once spared his life. From here Shindo Muso Ryu school Jo Jutsu conviertió in a very famous and studied for many Samurai of the time, since he had left evidence that could - as thoughts and beliefs of that time - beating with a stick wood to a metal sword.









Jo methods derived from different Jutsu Ryu Ken Jutsu, Jutsu and Naginata Yari Jutsu, which provided forms the basis for a weapon that eventually became independent, and forming their own teachers, supporters and size víctimas.El a Jo depends, like the bo, the person using it. The measurement is taken about the length of the floor to the armpit, or you can make raising your arms at 45 degrees oak head and the distance is between the two hands is the size for each. We can also note that approximately the length of Jo is equal to Daito, exotic weapons larga.Unas sword of iron or wood club as they were called Kanab. They were about 5 feet, octagonal and often had blemishes on much of its length. Definitely a hit with this weapon could be devastating, especially against an enemy with armor, but its total length and weight could suggest that they were mostly used for the different intimidar.Dentro Ryu Bujinkan Dojo has, developed as weapons of staff, the Hanbo, Bo, Jo, Shikomi Zue, among others. From school Kukishinden Ryu can investigate some of these weapons and see that they were created later and systematized from a loss or accident at the military events of época.Simplificando the subject, the birth of the Bo Jutsu Kukishinden school coming off a loss using a cut and the Hanbo Naginata after being cut a Yari in the field of battle. With regard to Ryu Jo Jutsu Kukishinden not found any reference to his birth might think that the supplement provided by this weapon with an intermediate distance between Bo and Hanbo has attracted masters of the time to incorporate it as an instrument most of their training.









Paradoxically, the losses were moments of creation and inspiration by teachers warriors of those times.







VISIT THE MOVIES OF Takamatsu demonstrate the use of BO






KUSARI FUNDO











It is said that the use of chains in combat is very old and its appearance within Bujutsu was with making the first armor.





The Kusari fundo is a string with one or two weights at the ends. The names of the chains varied according to different schools or Bujutsu Ninjutsu, as well as their shapes and lengths. Usually, the Kusari fundo is 1 to 1.5 meters.



In many cases, the chains were accompanied by other instruments such as sickles or leaf edge and, in some cases, hidden in bamboo, but this time we only stop in the chain weight, Kusari fundo, as a main in combat.



According to historical documents, konpi (kon means 'iron' and pi means 'fly') was put into use as a weapon in the era of the court Yoshino (about 1350 AD). The same was composed of a string with a ball on one end and an iron grip on the other end. It also would place a rope or stick at the end of the chain. Many schools have emerged in the art of Kusari fundo, these were using and developing their methods of warfare, length, thickness and size of the weights and chains. These ryu, we can cite: Togakure Ryu, Ryu Gyokushin, Hoen Ryu, Ryu Kinshin, Masaki Ryu, Ryu etc.La Masaki school became very famous for the use of this dangerous weapon. With it, the warriors could fight multiple enemies by turning the chain, hitting vital points and / or entangling it in the hands, feet or arms of the enemy.



Here, a story that the onset and development of tamagusari.



Toshimitsu Masaki was a famous swordsman of the seventeenth century. He lived in the territory of the whole clan and stood guard at the gate of Edo Castle Otemon (now Tokyo) under the command of Lord Toda. Toshimitsu thought the case would force being threatened to kill with his sword and the door of the castle would be stained with blood, which would not in any respect. Then he thought what to do. Maybe I could ask a ashigaru a low-ranking samurai, his long cane to fight the intruders. But his pride would not let him. Then Masaki thought and finally came to an idea that would make it easier to fight the intruders without bloodshed. That idea was a weapon called Kusari fundo tamagusari or in this case. It is said that 24 developed Masaki tamagusari arts.

After listening to the sound of tamagusari a valuable Masaki Ryu heavy chain that could protect against evil, many visited the house of Masaki, asking him to betray one. But Masaki handed and taught only to a small select group of people. Even were attributed to this powerful weapon of protection equal to that of a talisman. These chains were also called manriki Kusari, meaning "chain of 10,000 branches."



Ways of the Kusari fundo





The following are some methods to bring the Kusari fundo:

· Release within the jacket.

° around the neck, hidden inside a belt or scarf (tenugi).

· For behind the back and secured by the belt (obi) in a special way so it can be removed quickly.

· Subject and hidden in one hand, in a special way so it can be thrown towards the opponent.





Forms of movements founded kusari



· Yoko furi

· Tenchi furi

· Naka furi

· Hachimonji furi

NAGINATA



The Naginata





In ancient mythology, Japan was known as "the land of a thousand spears" or "thousand lancers." Early model launches appear to come from Chinese forms. A source hoko mentioned as one of the oldest was introduced in Japan. In fact there are many references to the ancient martial arts masters traveled to China and studied the management of the hoko.



The naginata is formed by a sheet of two to four feet attached to a stick longer. It is believed that at some point a warrior could have tied his sword to a cane to get better results at a considerable distance. Like most Japanese long-handled weapon, the naginata has a tang (part to be introduced by the staff) as or longer than the leaf itself. The stick was made of wood, in many cases of oak, with oval to give direction to the edge of the blade. The Tsukushi naginata (Nara period, 710-784) seems to have been the first model of this weapon, in which the blade was attached to the shaft by a metal clamp. Since then, he began to have greater importance and influence in the battlefield.



Important exponents of the naginata were warrior monks (Buddhist monks) known as Sohei. These monks wore armor under his robes and carrying his naginata, frequent pilgrimages to Kyoto, then capital city, carrying the sacred omikoshi superstitious to force the court to accede to their demands.

In the fiercest battles between the warriors of the Minamoto and Taira clans, the naginata was widely used because it provided a lot of versatility in fighting large-scale and large venues.



In the Kamakura period (1185-1333) began to develop many ryu (schools) of this weapon. Some of these ryu are Tenshin Katori Shinto Ryu Shoken, Buko Ryu, Ryu Hoshin, Gassan Ryu, Jikishin Kage Ryu, Toda Ryu, and so on. According to E showing Taiheiki maki, a painting of that period, some naginata had leaves six feet long. At no Goshin Samurai Tajima (Kamakura period) was known for his skill with this weapon that deflected arrows and using your Shobuzukuri naginata.



The naginata was formerly called "spear of women", it was assumed that women warriors must know to handle with skill at the age of eighteen. Kesa Gozen, one of the women Yoshitsune (hero in the twelfth century) was one of those many who fought for the name of your Lord. Her naginata is preserved even today in Asakusa. Around 1200, a woman named Itagi became very famous for his skill with the naginata on the battlefield. A few centuries later, the naginata (and lighter) is taken by women as a defensive weapon for the Samurai came home when in season.



In 1330 Yakushimaru Kurando was under orders Masashide Kusunoki, a high-ranking samurai loyal to the Emperor, who had been captured and locked in a residence called Kaza In. For their skills and knowledge in martial arts and Ninjutsu, Kurando was sent to his rescue. He entered the residence at night, dressed to the Emperor of one woman and fled the halls called hizume, which were designed to produce a loud noise when walking on them for security reasons. At that time, the noise alerted the guards and went after Kurando, which placed the Emperor in a safe place and faced them all with his naginata. Kurando broke free of the guards, less than a Samurai officer who confronted him with his katana and naginata movement of Kurando cut, so it had to fight with his gun like a bo. In this way, beat the guard and the Emperor was able safely to Kyoto.



Like many other weapons, the naginata was evolving and changing their ways and strategies to the needs and requirements of the war.

It is known that reinforcements were also changing with the growth in the use of the naginata. Many of the protections in the lower body were introduced in response to increased effectiveness of the naginata, highly effective in fighting large-scale, especially to defend against the attacks of the cavalry. Naginata is known to cut the legs of horses and riders to reach the warriors. From its origins to the fifteenth century, the naginata was one of the most popular weapons among the warriors, and that it could inflict many wounds the enemy, even if it wore armor.



With the introduction of firearms in 1543, the naginata lost effectiveness as well as many other weapons. Anyway, continued to be used with new additions to its effective employment strategy.

Monks carrying Sohei Naginata



According to Soke Masaaki Hatsumi, Ninja of the naginata was lighter than the samurai. Weight will vary by the type of wood and leaves smaller than the Ninja used. Soke for understanding that this weapon is best to have a good workout in and Sojutsu Bojutsu; Naginatajutsu is an extension of these two weapons. This represents the "trilogy of three hearts" among the "three guns." The nine basic types of Naginatajutsu are called "Bi Naginata Jutsu Kihon Kyuho."





Another weapon similar to the naginata in many respects appeared around the middle of the Muromachi period (1334-1477). Call nagamaki, its name means "long sheath" (as naginata means "sword moves down") and many have a stick wrapped in a criss-cross, as the handle of a sword. The leaves are heavy and long sometimes thinner at the back to reduce weight. is affixed to a stick four feet long and were usually fitted with a tsuka and tsuba. This weapon was widely used in the Momoyama period, Oda Nobunaga still favorite (1534-1582) and his troops edge.

Nagamaki



On the other hand, it is also interesting to refer to bisento. The same is similar to the naginata, but with his stick blade wider and therefore heavier and stronger, was used to crush and then cut down. According to the story of Ryu Kukishinden, the teachings of management were borne Tetsujo bisento-So to Izumo Kanja Yoshiteru. In conclusion, it is interesting to analyze the importance that was given to arms in ancient Japan, there's simply more to defeat the enemy confrontation. Many clans put weapons and armor in special rooms within temples. The spiritual value of these elements made their traditions endure over time and contributed to today to become great martial arts. Paradoxically, all of which were mainly used for war, now collaborating with its history and tradition for the development and enlightenment of human beings.



Therefore, as Soke Masaaki Hatsumi says "Bufu Ikkan" and move forward with our hearts.

TESSEN



tessen , tokko, te no uchi



Tessen The Samurai's Iron Fan





Daisho Besides, the Japanese samurai often had other specialized weapons. These were used when he was unarmed and did not want to kill or seriously injure the opponent.



Different ryuha martial arts (schools) during the Tokugawa period often taught a wide variety of handguns specially designed for the defense, and also could be hidden in clothing of all días.Tanto samurai and peasants regarded the folding fan, hand or conversely an important accessory. It was traditionally worn on the hand or footwear in the obi, and played an important role in Japanese etiquette, especially on formal occasions in which rarely was not among the possessions of samurai.Quizás as it was considered a common element was readily used as a secondary weapon with only minor modifications.





The weapon, called Tess (literally "iron fan") was built with a folding fan with metal rods or a non-folding solid bar of wood or iron with a folding fan. During the Edo period the tessen was considered a personal defense weapon extraordinarias.En common situations many times, the samurai had no access to a sword. For example, when visiting someone's home (especially the one above), the warrior was forced to leave one or two swords at the door. To prevent violence, the most obvious weapons such as swords, daggers and spears were strictly prohibited in the small confines of the Yoshiwara pleasure district of Edo. A tessen, however, was accepted in any situation, leaving the samurai armed with at least one effective weapon for defense.





The tessen, when they were folded, were also known as menhari-gata. These were made of metal and covered with silk or washi, a very strong role. This role was often lacquered, reinforced with a sheet of silver or gold, or treated with oil to make it more decorative and weather resistant climáticas.En some cases, only the rods were made of metal outside, while inside were made of bamboo. These were lighter and easier to carry, but they could only be used for the defense to be closed. A folding tessen not only used as a defensive weapon, but also as hand fan to be necesario.Sin But a folding tessen was expensive to make and difficult to maintain. Many times, they were of solid iron in the form of a closed tessen. This guy was called tenarashi-gata and were quite heavy. Some were made with straight sides and just remembered a fan, while others were more convincing replicas.





Folding fan as a common, Tess had between eight and ten metal rods or bamboo. A tessen solid wrought iron or carved wood that looked like a closed fan, was more durable and cheaper. Perhaps for these reasons tessen solids were most popular samurais.Hay won several duels remembered using a sword against tessen and even deaths were caused by cuts made with Tess. It was considered improper for a bushi use his sword against an opponent of lesser rank. Moreover, Tessa jutsu was considered something sophisticated, especially among high-ranking samurai.



Tessen Styles



As the hand fans, japanese tessen were made in three basic ways.



Generally, measuring one shaku long (half inch longer than a foot). The three standard forms were:

- Sensu-gata - the folding fan base.

- Maiohgi-gata - style used in traditional Japanese dance.

- Guns-gata - style used to control troops during the battle.



Many considered the tenarashi samurai-gata much more effective in combat than the folding style. Tessen This style became popular among the samurai police officers and their assistants. His arrest and disarming techniques were often a combination of solid tessen Tessar jutte.Los were carved from wood such as oak or Sunuker. Call Motsu-shaku, the range of wood was easy and not expensive to produce. Samurai used this kind of fan not only for defense but also for practice.



Tessen Decoration



Both the folding and the solid were incorporated poems, ranges, images of animals and kanji characters. Sometimes a silk cord was used as a handle. Naturally, many tessen were sober and had a more functional style.



Tessen Practice



While tessen jutsu was considered part of the arts of conventional weapons, was originally targeted for the defense. Tessen techniques were typically based on reactions of defense rather than aggressive attacks. Most techniques were designed to stop and control the opponent rather than to cause permanent injury or death.

BATTOJUTSU

BATTOJUTSU



by Juan M. Serrano & Frank J. – Bujinkan Shihan.Juan M. Serrano y Frank J.

The Battojutsu is the art of cutting with a sword scabbard, and is closely linked to Iaijutsu and Kenjutsu. Also known by other names such as: Iai Nuki, and in its most modern and Iaido. Its creation is attributed to Hayazashi Jinsuke Shigenobu (1542-1621), who have received divine inspiration to develop it as art.



As the Iaijutsu studies the scabbard of the sword from the 'saya' (pod), the Battojutsu is a continuous movement to draw the sword and cutting. The line between these disciplines is very thin. The batter is trained in three ways: individually (Suburi) sequences (Kata) and shear test (Tameshi Giri).



It is an art that seeks maximum efficiency, allied to the speed of execution. But we must emphasize that this 'speed' comes naturally after years of extensive training. This is not to make any technical sloppily. This is the typical error that tends to lead to poor technique and, worse, physical harm. First, you must practice slowly and carefully, in order to develop the ability to handle. For that reason, the practice with a beginner 'Bokuto', the wooden sword.



Several techniques were developed to address Batto various situations in which the samurai could find, and took him to an unexpected confrontation. In many cases, these clashes occurred far from the battlefield, inside the castle of his master. Such skills were essential to the medieval Japanese warrior.

Shigenobu Hayashizaki



- Born: 1542 or 1546Hayashizaki



- Date of death: 1621



- Other names: Minamoto no Shigenobu Hayashizaki Jinsuke, Hojo Jinsuke Shigenobu.



The founder of what is now known as Iaido was a man named Hojo Jinsuke Hayashizaki Shigenobu or Jinsuke Shigenobu. His life was shrouded in darkness and, therefore, there are many more legends than facts. They know he was born in the province of Sagami sometime in mid-sixteenth century, from there is believed to have lived in the province of Mutsu.



According to legend, was killed while his father Shigenobu was still young. Vowing revenge, he took it the Jinja Shinto Hiyoshi Shinmei or where he prayed and meditated for several days. After a long period of prayer and meditation where he was beaten with a divine dream he was shown the techniques of battojutsu by the Gods.



No one knows exactly what he was expert in handling the sword, but you know that fencing studied intensively during the approximate years of 1596-1601 and then devised a series of Iaijutsu, the techniques he called battojutsu. His style became known by several different names: Junpaku Den, Hayashizaki Ryu, Shin Muso Hayashizaki Ryu, Shigenobu Ryu, Etc.



We also know that toured Japan in Musha Shugyu (warrior pilgrimage), and at that time attracted many disciples to his system. The exact techniques that are transmitted to their students remain a mystery, but is believed to have been relatively simple, practical and very combative.



Supposedly in 1616 at the age of 73 years, made a second tour of Japan, during which, apparently, disappeared. Under his pioneering influence, there were many different schools.



After his death, the tradition of Muso Hayashizaki Ryu Shin was conducted by Tamiya Taira no Narimasa Hyoe that is believed to be the master of Tokugawa Ieyasu, Hidetada and Iemitsu.

Hayashizaki Shigenobu

Hayashizaki



KAWINAWA













KAWINAWA



This weapon is believed that it was originally a medieval navigation instrument, used to collect objects that had fallen overboard, towing smaller boats ... He used to carry a rope with hook and Kagi difference that is smaller, easier to carry and far more practical than other equipment for climbing. It served primarily as a means of infiltration and escape, and used to take if he thought it would have to climb at some point.

In addition, you could use half as much as defensive as a means of attack since the tips could tear vulnerable parts of the anatomy, not to mention the rope, which can entrap, strangle, or exercise any other kind of control over the adversary.

NAWA JUTSU



Nawa Jutsu

The art of handling ropes and ties




During the different periods of history the ropes and the ropes were included and used for various purposes by the warriors of ancient Japan, were used as weapons and even as everyday items. On the belt armor, Samurai wore a rope (nawa koshi). Its generic name was not himo uchi kara and was multifunctional, used as secure mount (kura gatame) to tie the horse (shiba TSUGAMI) and also to bind and transport prisoners (mawa tori). For the art of combat, techniques and strategies that were developed as a method for holding and transporting the prisoners were carefully compiled and studied by many Ryu has since the mid-sixteenth century.





In the society of Japan those days were distinct social classes such as warrior, merchant, artisan, farmer, religious beggar, so depending on social status and sex that had the shape of a prisoner was being tied to particular each individual. Anyway we must take into account the human rights of those times were few and still being tied was humiliating for anyone beyond their social status.



In the Tokugawa feudal Japanese police developed sophisticated procedures to hold prisoners with rope bondage by various methods, these are known as hojo jutsu. As is known, the management of certain weapons in those days was also a question of status for that reason junior assistants (okappiki) were used for the tasks of arrest and taking of prisoners. Its low range forced them try to raise it, so the correct decision as detailed codes of prisoners was very important and would be taken account in order to progress within the ranks, especially if the prisoner in question was of superior rank. However, high-ranking samurai also used ropes and ties as they present a safe way to control their opponents to take them as prisoners. Hattori Hanzo The famous Jonin (1541-1596), who was counselor and personal bodyguard Shogun Ieyasu Tokugawa (1543-1616), is known as an expert in the handling of rope, he developed various techniques sageo jutsu (cord the sheath of the sword).



Hojo Jutsu Rules



1 - Do not allow the prisoner to slip its bounds.

2 - No physical or mental harm.

3 - Do not allow others to see the techniques.

4 - That the results are pleasing to view.





The other officers were torimono to perform the tasks of arrest and transportation of prisoners. These groups consisted of at least four officers. At the time of operations, one was the one doing the techniques and the others around him taking the passive control of the situation in this way was possible to hide the criminal techniques and even the common people. The speed of the officers for the bonds was essential to subdue the prisoners, for that reason had to train constantly to reach a quick and effective. The strings for this training were of silk and while the arrest was hemp. It was important not to cause unnecessary damage to the prisoner and in many cases had not yet been sentenced and judged by the law. They usually did not wear ties knots and the end of the same was given several turns of rope, leaving a final where the person is carrying. Also should take into account what he would do with the prisoner and controlled. Thus was born the form used in hojo jutsu. When being transported from one region to another and the prisoner was delivered to other officers, before the formal surrender was to loosen the bonds would not be what were the techniques used in it. Each clan or each region had its ways hojo jutsu and the same were protected like other martial traditions.



Features



Shinobi nawa (rope secret) cords or ropes are used by ninja, vary in size depending on the needs and preferences of the warriors. In some cases, used by the sage. In nawa nage techniques included a metal ring at each end of the rope to pull hard to strengthen and tighten the grip and thus also to balance it, project it and roll the opponent.

Hon nawa: main Soga



Torinawa: rope typical hojo jutsu. In some cases they were transported inside the jacket and inside sleeves. They used to do a small loop at one end called jakuguchi.

Torihimo: Rope figure 8 1.80 to 2.70 m joined by a seam or joint. Thus there were two ties in some cases will include a hook (kagi) metal one.

Hayanawa: fast rope - rope short to start over.

Konawa: Soga short, approx. 14 inch. It was used to tie the thumbs and toes.

Sage: rope is fastened around the sheath of the katana. The Ninja Biken, SAGE was not used only as a control and safe sheath. It was also used to mobilize and make a scabbard sheath body behind me above the head (kage no itto justu sageo). This cord was also used as an element to retrieve the weapon once used as a carrier (step) to get a higher place and even as metsubushi and often was used to bind enemies.



Tenugi - Shinobi tenugi: usually red fabric with functions. Was used as a belt, opportunities are included in a stone in one end and thus became a weapon apparently harmless but very dangerous. It is also used to wear to hide the Kusari fundo (weighted chain at the ends) and wrap items or weapons that could cause noise, on the other side was used as a filter for muddy or dirty water and a hood to disguise his face.





The strings and ropes have been included in other items;





now quote the kaginawa and kyoketsu SHOGO. Some of the strings contained therein were made with women's hair.





The kaginawa was hook up to three outbound subject to a long rope, about 8 meters. They used to bring or tie boats to shore, climb walls, hang the armor and as a defensive weapon. Fujiwara no Sanejuki Kuroda was a pirate leader regions of Kishu and Shima who used the kaginawa in many of its operations. There are some beliefs that gave rise to kusari kaginawa no jutsu range weapons and chains Kukishinden ryu. In the art of hojo jutsu known to kaginawa a hook like a sort of hook attached to torinawa; through the same clips to the prisoner through the sleeves or collar if it tried to escape.





The kyoketsu Shogo is a versatile weapon specifically designed for Shinobu. It consists of a blade edge with a sickle at the end of the blade is attached to it a long rope with a metal ring on the end. Through this ring rope swinging in different directions and then projecting to the enemy. Ties are used to make a circular motion to hold the enemy and then control it. Among other things, was also used as a tool for climbing walls.















Hojo Jutsu Rules

1 - Do not allow the prisoner to slip its bounds.

2 - No physical or mental harm.

3 - Do not allow others to see the techniques.

4 - That the results are pleasing to view.

The other officers were torimono to perform the tasks of arrest and transportation of prisoners. These groups consisted of at least four officers. At the time of operations, one was the one doing the techniques and the others around him taking the passive control of the situation in this way was possible to hide the criminal techniques and even the common people.

The speed of the officers for the bonds was essential to subdue the prisoners, for that reason had to train constantly to reach a quick and effective. The strings for this training were of silk and while the arrest was hemp. It was important not to cause unnecessary damage to the prisoner and in many cases had not yet been sentenced and judged by the law.

They usually did not wear ties knots and the end of the same was given several turns of rope, leaving a final where the person is carrying. Also should take into account what he would do with the prisoner and controlled. Thus was born the form used in hojo jutsu. When being transported from one region to another and the prisoner was delivered to other officers, before the formal surrender was to loosen the bonds would not be what were the techniques used in it. Each clan or each region had its ways hojo jutsu and the same were protected like other martial traditions.

Features

Shinobi nawa (rope secret) are the cords or ropes used by ninja, vary in size depending on the needs and preferences of the warriors. In some cases, used by the sage. In nawa nage techniques included a metal ring at each end of the rope to pull hard to strengthen and tighten the grip and thus also to balance it, project it and roll the opponent.

Hon nawa: main Soga



Torinawa: rope typical hojo jutsu. In some cases they were transported inside the jacket and inside sleeves. They used to do a small loop at one end called jakuguchi.

Torihimo: Rope figure 8 1.80 to 2.70 m joined by a seam or joint. Thus there were two ties in some cases will include a hook (kagi) metal one.

Hayanawa: fast rope - rope short to start over.

Konawa: Soga short, approx. 14 inch. It was used to tie the thumbs and toes.

Sage: rope is fastened around the sheath of the katana. The Ninja Biken, SAGE was not used only as a control and safe sheath. It was also used to mobilize and make a scabbard sheath body behind me above the head (kage no itto justu sageo). This cord was also used as an element to retrieve the weapon once used as a carrier (step) to get a higher place and even as metsubushi and often was used to bind enemies.



Tenugi - Shinobi tenugi: usually red fabric with functions. Was used as a belt, opportunities are included in a stone in one end and thus became a weapon apparently harmless but very dangerous. It is also used to wear to hide the Kusari fundo (weighted chain at the ends) and wrap items or weapons that could cause noise, on the other side was used as a filter for muddy or dirty water and a hood to disguise his face.



The strings and ropes have been included in other items, now cite the kaginawa and kyoketsu SHOGO. Some of the strings contained therein were made with women's hair.

The kaginawa was hook up to three outbound subject to a long rope, about 8 meters. They used to bring or tie boats to shore, climb walls, hang the armor and as a defensive weapon. Fujiwara no Sanejuki Kuroda was a pirate leader regions of Kishu and Shima who used the kaginawa in many of its operations. There are some beliefs that gave rise to kusari kaginawa no jutsu range weapons and chains Kukishinden ryu.

In the art of hojo jutsu known to kaginawa a hook like a sort of hook attached to torinawa; through the same clips to the prisoner through the sleeves or collar if it tried to escape.





The kyoketsu Shogo is a versatile weapon specifically designed for Shinobi. It consists of a blade edge with a sickle at the end of the blade is attached to it a long rope with a metal ring on the end. Through this ring rope swinging in different directions and then projecting to the enemy. Ties are used to make a circular motion to hold the enemy and then control it. Among other things, was also used as a tool for climbing walls.



Conclusion

Given the social and political background of the feudal period of Japan, the techniques and thinking hojo jutsu are apparently positive and effective to capture an enemy and transport it to desired location.

Likewise, techniques have been used unhealthy methods of torture as both warriors and people of other occupations.

The strings were not used as primary elements in the time of confrontation. For this reason it is highly complementary to the techniques of budo taijutsu.

The samurai bodyguards of some of the various feudal lords supplemented their techniques with those of Jutai Hojo Jutsu Jutsu.

As the techniques of Hojo Jutsu, smoothly and without knots all subtly intertwines the study of Budo infinite.

The strings were not used as primary elements in the time of confrontation. For this reason it is highly complementary to the techniques of budo taijutsu.

The samurai bodyguards of some of the various feudal lords supplemented their techniques with those of Jutai Hojo Jutsu Jutsu.

As the techniques of Hojo Jutsu, smoothly and without knots all subtly intertwines the study of Budo infinite.



Fudo Myo "the Immutable," one of the divinities in Shingon Buddhism, is a symbol of psycho-spiritual balance. In one of his performances it is wearing a tie (in other cases carries a rosary) and a sword. As the faithful protector of Buddhism, Fudo Myo links to the ills that trouble them and eventually ends with the sword.